Chan Chi-chun

The Chinese University of Hong Kong

Uncovering a Tradition for the Dead: Politics and Identity Dynamics in Taoist Funeral Parlour Music in Hong Kong

Chang Jeong Youn

Ewha Womans University

Contextualization through Network: Music Publications for the Youth of 1920s in Korea

Cheng Ya-Hui

University of South Florida

Explore the Nostalgia: The New Chinese Dream in Recent Taiwan's Popular Music

Cheong Yong Jeon

The Ohio State University

Empty and filled rhythms: An inquiry into the different cognitive processing of vocal and instrumental rhythms and the musicological implications of rhythm memorization

Cheung Kaho

Mahidol University

The localization and delocalization of urban soundscapes

Chung Yi Eun

The University of Hong Kong

Shifting time: Temporality in Schubert’s (re)transition

Nicholas Cook

University of Cambridge

Towards a global musicology?

Dorottya Fabian

The University of New South Wales

Towards a holistic and multimodal analysis of music performance

Guo Xin

Central Conservatory of Music

Internal Extension of Chinese Musical Idioms: A Path of Modernization in the Erhu Rhapsody No. 4 by WANG Jian-Min

Leonie Holmes

The University of Auckland

Pacific Congruences: cultural Influences in the music of contemporary New Zealand composers

Huang Lin

National Chiao Tung University

Borrowed Place and Borrowed Song: Musical Dreamlands as an Allegory of Hong Kong in Wong Kar-Wai's Chungking Express (1994)

Natsuko Jimbo

Tokyo University of the Arts

Performing "Testament" at the Piano: Marguerite Long and the Making of the "Three Great Masters" of France

Kam Lap-Kwan

National Chiao Tung University

The Naïve and the Sentimental Music Historian: From Schiller’s Cultural Philosophy to the Music Historiographies of the Divided Germany, China and Taiwan

Atsuko Kobayashi

Meiji University

The Music of "Awa odori"

Lam Chun Fai John

The Chinese University of Hong Kong

The evolving notion of gamme chinoise from Amiot to Courant

Fiona Lee

The Chinese University of Hong Kong

Structural Coherence beneath Surface Contrast – Motivic Treatment in Dario Castello's Sonate Concertate

Johnson Leow

The Chinese University of Hong Kong

Alter-Centring Cantopop: Dialogic Interactions in the “One Melody, Two Lyrics” Songs

Li Ying-Cheng

National Chiao Tung University

Representation of Aboriginal Music in the Film Beyond Beauty: Taiwan From Above: Over or Under?

Liu Annie Yen-Ling

Soochow University 

Electroacoustic Music in China after 1980: Historiography, Canon, and Aesthetic Discourse

Luo Ai Mei

The Chinese University of Hong Kong

Hakka Children's Music, Counterculture, and New Ethnicities in Contemporary Taiwan

Eli Marshall

Cornell University 

Benjamin Britten and Harry Partch in and around Asia

Peter McNamara

University of Sydney

Contrasts in approaches: The continued relevance of pre-recorded live electronics in Australian music

Mi Pengxuan

The Chinese University of Hong Kong

Music Authenticity in a Diasporic Context: Quanzhou Nanyin in Hong Kong

Kayo Murata

Tokyo University of the Arts

The Development of Fugal Writing in Bach’s Individually Transmitted Organ Fugues: In the Light of Invertible Counterpoint

Juliette O'Brien

"Never the Twain Shall Meet": Dancers and Musicians in the Digital age- from Collaboration to Alienation

Yoshiko Okamoto

The University of Tokyo

Utilizing Databases for Music Theatre Research: Repertoire Comparison between Budapest and Prague in the Late 19th Century

Park Hyunyoo

National Taiwan University

Folk Music and Nationalism: The Age of Young Folk Musicians in South Korea and in Taiwan in the 1970s and 80s

Joseph Pfender

New York University

Cybernetic Subjectivity

Pyun Hye Lyun

Myongji University

Some Thoughts on Japan's Tensho Shonen Shisetsu (1582-1590) and Venetian Polychoral Works

Saito Kei

University of Arts Helsinki

Socialistic Songs Written by the Right: Katsumaro Akamatsu and Political Functions of Music in 1920-30s Japan

Shaw Chih-Suei

University of Oxford

Towards the Greening of Musicology: Gardens, Canyons, and the 'Planet Earth' in the Music of Toru Takemitsu and Karen Tanaka

Shin Soo Jung

Chung-ang University

The making of a female image through Kisaeng: the record industry of Korea in 1930's

Sit Fung Kwan

The Chinese University of Hong Kong

Refiguring the Festival for the Hungry Ghost: World ICH as an Influential Milestone in Hong Kong

Satoru Takaku

Nihon University

Travelling pianist-composer as music publisher - Alexander Tcherepnin and Collection Alexandre Tcherepnine

Fumi Uehata

Osaka University

Music 'In The Folk Spirit': Conflicting Interpretations of 'Orientalness' in Modern Serbia

Victor Vicente

The Chinese University of Hong Kong

ABCD: Any Body Can Dance – Bollywood's Musicologies

Morton Wan

Cornell University

Playing Op. 110: the Body and Beethoven's Late Style

Wang Zongyan Pepsi

The Chinese University of Hong Kong

Urban Nightlife and Style of Xiaozi Linking with Jazz in Old Shanghai, 1920s-40s

Wong Hei Ting

University of Pittsburgh / Hong Kong Baptist University

"Boundless Oceans, Vast Skies": Sky as a metaphor for freedom in the Hong Kong Umbrella Revolution

Wong Hoi Yan

The Chinese University of Hong Kong

Compositional Techniques and Identities in Contemporary Music of China: Integrating Ideologies in the Post-Cultural Revolution Era

Joseph Wong

Open University of Hong Kong

Lyrics as the Source of Creativity in Cantonese Popular Song-Writing

Wu Yi-Cheng Daniel

Soochow University 

G♯ or A♭? An Orthographical Analysis of Scriabin’s Piano Prelude, Op. 67, No. 1

Yan Wenting

Soochow University

The "Shanghainization" of Suzhou Tanci: The Social Meaning of the Prosperous Female Tanci in the Late Qing Dynasty

Yang Hon-lun, Helan

Hong Kong Baptist University

Networking the Russian Musical Diaspora in Inter-war Shanghai:
A Case Study of the Russian Émigré Community and the Shanghai Municipal Orchestra

Yuen Hin Sing

The Chinese University of Hong Kong

Saxophone in Early Jazz Music of African-American and their Diasporic Experience

Zhang Wangcaixuan

The Chinese University of Hong Kong

Tan Dun’s Garden Version Peony Pavilion: Changing Aesthetics in New Chinese Music since the late 20th Century?

Zheng Qianqian

The Chinese University of Hong Kong

Why Theory Is Useful: From Siedentopf's "Blockierte Tasten" to Ligeti's "Touches bloquées"

Zhou Jing

The University of Hong Kong

Reconsidering the existence of Yanyue as new Yayue